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Battle in Vain

Few English kings had their reputation left in tatters by such eloquence. Sir Thomas More and William Shakespeare created in Richard III a villain that stained the history books.
KEITH GOLDING goes into battle.

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Indelibly associated with the House of York we have to take a special care to locate Richard III in his place, Yorkshire, rather than the Midlands where he was born.

Richard spent the better part of his life in the North. He was sent to Middleham at the age of 9 to acquire Knightly skills, and so began his love affair with Yorkshire, and in particular the City of York, which he referred to as "my fair City". The admiration was mutual, York dearly loved it's "good King Richard", which is quite something in itself; York was initially loyal to the house of Lancaster, Richard's bitter enemies.

After his betrayal and death, and at great personal risk, the Aldermen of York officially posted in the City records of the "great heaviness of the City" at Richard being "piteously slain and murdered". Such was the hatred towards him that it was almost a year before the usurper King Henry Tudor dare set foot in York, a prospect that also terrified the treacherous Earl of Northumberland, who met justice when furious Yorkists finally caught up with him at Thirsk, 4 years after Richard's death.

In 1471, when he was just 19, Richard became his brother Edward IV's Lieutenant, and as Lord of the North he become popular as a "good and just administrator", with a reputation for dispensing justice to both rich and poor alike in a fair but no-nonsense Yorkshire "right strait manner".

The English kings had for centuries seen the North as a wild and untameable wilderness, populated by rebellious barbarians, but through his good deeds Richard won the people over, and after 12 years in the North formed a formidable power base in Yorkshire with his castles at Middleham, Sheriff Hutton and Pontefract. When Richard took the crown he was seen by the people of the North as their king, and a way to finally shift the balance of power away from the South towards the impoverished North.

  The new king did not let his people down - Richard was unashamedly favourable towards his loyal supporters from the North - during his reign six out of seven vacancies in the order of the garter were filled by Northerners. All three vacant bishoprics in the same period went to Northerners. Richard's loyalty towards his Northern supporters did not exactly go down too well with the Southern nobles, who were, it must be said, collectively terrified of an "invasion" of "foreigners" from the North, and the resulting loss of power, prestige and wealth.

They made their move in October 1483. Just 4 months after his coronation Richard was faced with the so-called Buckingham Rebellion. The rebellion was soon quashed, and Richard once again rewarded his Northern followers and stoked the fires of anti-Northern resentment by confiscating the estates of Southern rebels and giving them to Northerners.

So what about Shakespeare's villain, the withered armed hunchback, shuffling across a stage with all the grace of a supermarket trolley with a sticky wheel, en route to slit the throats of his nephews? All fabrication, pure and simple. The tyrannical child-murdering freak was quite simply the invention of the Southern based Tudor junta and their historians, playwrights and other supporters, who sought to legitimise their regime's brutal coup d'etat by portraying themselves as England's saviours from an evil Northern monster.

As it ground to a bloody conclusion at Bosworth Field in 1485 the War of the Roses was no longer Lancaster against York, but just another chapter in the continuing Saga of North against South.

LINKS
Wars of the Roses
Richard III Society
Richard III
Ian McKellen Interview on the role of Richard III
Keith Golding

 

This Sun of York

When we first published this piece Chris Moore e-mailed us to correct a reference to Richard III being the Sun of York. As Chris says: "Richard III was not Shakespeare's 'Son of York'. In the play, Gloucester ( the future Richard III) is referring to his brother Edward IV, the new king. It is a play on words, as Edward is indeed the son of the Duke of York, but also, Edward's banner was the Sun in Splendour. Hence he was also the 'Sun of York'".

As it happens the word play was not Shakespeare's own. The manner in which the York boys adopted the "Suns of York" goes back to the early hours of Candlemas Day, 2nd February 1461. Edward of York had learned of his father and brother's brutal death at the siege of Sandal Castle, Wakefield just eight weeks earlier and was at large in the countryside with an armed force, seeking revenge. He was heading west to confront a Lancastrian army led by the Earl of Pembroke that was making for the Midlands.

Near the town of Ludlow is a small hamlet called Mortimer's Cross. Here, on the morning of Candlemas, Edward and his soldiers witnessed a rare meteorological phenomenon. A Parhelion occurs when sunlight is refracted through ice crystals, and appears in the sky as a triple sun. The astonished Yorkists witnessed a dawn appearance of these three suns "which suddenly joined together as one." In those days this was seen as an omen of great portent, and Edward was quick to see a significance.

"Beeth of good comfort and dreadeth not! This is a good sign, for these three suns betokeneth the Father, the Son and the Holy Ghost, and therefore let us have a good heart, and in the name of Almighty God go we against our enemies!".

He also saw this as fortelling a joyful reunion with his young brothers George and Richard (The Dukes of Clarence and Gloucester aged 12 and 9 respectively). At his words, it is said, the entire Yorkist army sank to it's knees in awed prayer before entering the bloodiest battle this island had yet seen. Four thousand men lost their lives on that auspicious day - most of them Lancastrian.

Edward was anointed King of England in London just weeks later at the tender age of eighteen. He incorporated these three suns into his personal badge - 'The Sun Splendour' that Chris Moore mentions. Keith Golding holds that all the Duke of York's three sons were referred to as 'Suns of York' by thecapital's Yorkist citizens as they faced down Queen Margaret's looting and pillaging hooligan 'army'.

A bit tentative, but that's our story and we're sticking to it!

NORTHERNER

 

 

 

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