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Slim
Shady Stands Up
They say that fame these days is all about hype.
That there are no stars anymore. Or as Moby
sang recently to paraphrase Andy Warhol, 'We
Are All Stars'. Being halfway talented and confident
and photogenic can get you a long way with the
help corporate-thinking svengali figures.
That's
the theory anyway. The practice is less than
perfect, however. A celeb-culture chock with
well managed mannequins and microwaved pop tarts
(Britney, J-Lo, Timberlake, The Boys Blue...)
is leaving the stage wide open for someone to
step forward, gatecrash the party, steal the
food and run off with the limelight.
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STORIES
OF THE DAY
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The
latest Yorkshire star - Pop Idol boychick
Gareth Gates switched on the Xmas Wesleybobs
in sunny Bradford yesterday and over 20,000
showed up to watch him do it. And this
is before his debut album comes
out...
His
old mucker from the telly show Will Young
did the same job down in London on Regent
Street.
More..
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That's
exactly what Marshall Mathers/Eminem/Slim Shady
has done with spectacular effect over the past
month. And last night Europe crowned him as
well - The US rapper had already swept the MTV
Video Awards in New York this year, and now
he's done the same at the Euro MTV Awards too.
He picked up the gongs for best European male
artist, best hip-hop artist and best album for
'The Eminem Show'.
Listening
to his latest record - "...Lose yourself
in the music, the moment you own it, You better
never let it go, You only get one shot, do not
miss your chance to blow, This opportunity comes
once in a lifetime..." its an inspirational
rap on its own. But with Dr Dre's increasingly
towering music, working up a guitar sample into
a magnificent crescendo its clear that the man
has stepped up to genuine greatness.
It's
hard to actually like the little toerag. He
reminds me of the sour little arsewipes who
always seem to be cheerleaders for the local
school bullies. The sort who were King Shit
of Turd Mountain at the age of eleven but as
their victims grew up (and they didn't) they
got all bitter and twisted.
I
guess the movie (when we get finally to see
it round here) is a vision of how a lot of these
nippers with attitude can end up.
The
Eminem story is fictionalised in '8 Mile' -
a Presleyesque film with an art-imitates-life
plotline. In many ways the character leap between
Bunny Rabbit and Deke Rivers is not too far
at all . Both Elvis and Eminem are bad boys
who broke into the mainstream almost by force
of personality. And both had that rabbit in
the headlights look on their face as the full
glare of public adultation bore down on them
at full speed.
Mathers
isn't sexy though, in spite of his baby oiled
performance at the MTV Awards in New York a
few months back. He's more a grown up Bart Simpson
bringing a cartoon sensibility to a rap scene
sorely lacking in the humour department.
The
blacker side of Eminem's stuff has its roots
in the caustic monologues of Lenny Bruce, the
blackhearted surrealism of Bill Hicks and the
chainsmoking sarcasm of Dennis Leary. This gives
the man a real edge over the competition - irony
isn't generally an American strongpoint, so
a stateside lyricist with the ability to tell
a story as chilling as 'Stan', weave into it
the perils and responsibilities of fame, then
leave you with a joke, is going straight to
the top.
The
interesting thing is what's going to happen
next.
Bad
boys who finally get the attention they've been
craving since they learned to crawl do tend
to let it get to them. The ice cool act soon
melts in the heat of adulation. Look at another
of these stateside loudmouths. Pink started
off as a genuine firebrand with a kickass reputation.
One hit single later and she's turned into a
Sesame Street puppet show.
In
Eminem's case he's got one of the world's finest
musical minds at work behind the scenes in Andre
Young, so he can concentrate on the street smart
storytelling that's made him famous. Not since
John Lennon and Bob Dylan have we had a populist
poet of this magnitude - and he matches them
both in his ability to capture the mood of his
generation and bridges a musical racial divide
in America like no-one since Elvis.
I
just hope the kid can continue to kick against
the pricks. So far his work has not suffered
by the attention - if anything it seems to be
giving the kid more energy and fire, which suggests
that he can continue to surprise and confound
for many years. The only worry is that he lets
all the hero-worship role model shit get to
him. If all it does is make him stronger he'll
become a legend before our very eyes.
Blogga
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